#News anchor closing background trial

The State Water Resources Control Board made that decision in 2010 because of the damage to marine life when seawater is sucked into the plants.īut after rolling blackouts in summer 2020, energy analysts predicted future supply shortfalls as a result of climate change-induced heat waves and the comparatively slow pace of developing clean energy. “AES will work with the owners, the City of Redondo Beach and applicable authorities to ensure a smooth property transition in 2024.”Īll of the state’s ocean-cooled, gas-fired power generators were scheduled to close at the end of 2020. “AES is proud to have been part of this historic effort to support the state’s grid reliability needs and looks forward to partnering on future renewables opportunities in the state,” an AES spokesperson said ahead of the decommissioning. He said he hopes to start redeveloping the power plant building sometime in 2024.īesides being currently tied up with the city, AES’ lease precludes Pustilnikov from doing anything at the site for another six months or so, he added.

#News anchor closing background trial

The lawsuit, Pustilnikov said, will go to trial in March. Redondo Beach, however, deemed the application incomplete and the developer filed a lawsuit to get the court to order the city to process the application. (Missing from the frame, unfortunately, were the original metal spiral staircase and the brass fire pole that Anderson and his architect had kept from the fire station.Pustilnikov, who bought the site in 2020, proposed in 2022 to build a massive mixed-use residential and commercial building in the power plant’s place. He resides in a 1906 8,420-square-foot firehouse in Greenwich Village that he bought in 2010 for $4.3 million and that he and architect Cary Tamarkin spent the next few years renovating.ĭressed in a form-fitting green V-neck T-shirt, Cooper appeared from what looked like a Victorian-era library, complete with ceiling-to-floor bookshelves and an antique globe, as he reported the night’s news. The married couple Katy Tur (MSNBC) and Tony Dokoupil (CBS) even alternate broadcasting from a shared space they have created in their New York home, one occasionally doing hair and makeup for the other.ĬNN’s Anderson Cooper, though, gave viewers a tantalizing glimpse of his Manhattan home on March 20, when a member of his staff showed symptoms of the coronavirus and Cooper quickly had to broadcast from his home for an evening. Others are have successfully transformed spaces in their homes into professional-level settings. Many of the network anchors, like NBC’s Lester Holt, are reporting from home in makeshift studios that have been constructed to like their usual perch, complete with impressive backdrops. Jennifer Ashton, the chief medical correspondent for ABC News, delivers her reports from a spot in her home where she is bracketed by a vase of artfully arranged orchids and a framed watercolor, perhaps to offer the viewer a somewhat soothing contrast to her daily pronouncements on the pandemic’s deadly spread. CNN’s Andrew Kaczynski has an array of stuffed toy squirrels in his den that has drawn the deep curiosity of viewers. Former secretary of labor Robert Reich seems to like being interviewed from the bucolic porch of his Berkeley, California, home. senator Claire McCaskill recently appeared on Morning Joe from a cozy kitchen that drew praise from cohost Mika Brzezinski.

Not everyone has turned to bookshelves as their go-to backdrops: The former U.S. The top shelf was all red, the bottom shelf all blue. Then, I noticed something that had at first escaped my attention: All her books had been apparently arranged by color.

I moved off the couch and inched closer to the set, but I couldn’t make out any of the titles. And I found myself curious about what she might have been reading. There were two shelves behind her, both lined with books. Instead, I found myself trying to read the titles of the books that occupied the shelves in the makeshift studio she had created in her Washington, DC–area home, a place from which she had been reporting remotely since the pandemic began. I was watching MSNBC’s Kasie Hunt talk about the recently passed stimulus bill.īut I wasn’t really watching Hunt herself or hearing her describe the behind-the-scenes negotiations that led to the bill’s passage. On a recent morning, I found myself in my usual position-on my couch, planted in front of the TV, watching the news, something I have done every single day for hours at a time since the coronavirus pandemic came to New York.